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PreSonus StudioLive AR8 USB 8-Channel Hybrid Performance Digital Recording Mixer - Sellabi
PreSonus StudioLive AR8 USB 8-Channel Hybrid Performance Digital Recording Mixer - Sellabi
PreSonus StudioLive AR8 USB 8-Channel Hybrid Performance Digital Recording Mixer - Sellabi
PreSonus StudioLive AR8 USB 8-Channel Hybrid Performance Digital Recording Mixer - Sellabi
PreSonus StudioLive AR8 USB 8-Channel Hybrid Performance Digital Recording Mixer - Sellabi
PreSonus StudioLive AR8 USB 8-Channel Hybrid Performance Digital Recording Mixer - Sellabi

PreSonus StudioLive AR8 USB 8-Channel Hybrid Performance Digital Recording Mixer

: In stock

: Musical Instruments & Gear:Pro Audio Equipment:Live & Studio Mixers

: PreSonus

$499.95

$499.95

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Brand New - PreSonus StudioLive AR8 USB 8-Channel Hybrid Performance Digital Recording Mixer - HIGH QUALITY & SATISFACTION

StudioLive AR8 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the two mono channels and two stereo channels includes level control; a mic input with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get a monitor mix output with a dedicate bus for feeding a stage wedge, headphone amp, or in-ear system. Since the StudioLive AR8 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.

Most mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.

Naturally, you want to record your gigs, as well as producing studio projects, podcasts, and so on. It’s smart to record your rehearsals, too. So StudioLive AR mixers offer two different ways to record. Connect a StudioLive AR8 USB mixer to your computer via USB 2.0, and you have an 8x4 multitrack digital recorder, ready to capture all input channels plus the main mix to a Mac or Windows PC with professional, 24-bit/96 kHz quality. An onboard stereo SD recorder lets you record the main mix without a computer—just hit Record and go. Recording can’t get much easier than this!

Product Features: 
Channels and Buses
8-channel mixer
2 mono and 2 stereo channels, each with:
Level knob
Pan
Mute
PFL solo
1 stereo Super Channel (Ch. 7/8)
1 monitor bus with PFL solo
1 stereo effects bus
1 stereo effects return with:
Level knob
Dedicated monitor sends
Effects bypass footswitch jack
Inputs and Outputs
2 instrument inputs
8 balanced line inputs
4 balanced mic inputs with:
Class A microphone preamp
Global 48V phantom power
Stereo Super Channel with:
Stereo RCA inputs
1/8-inch stereo input
Switchable SD/USB stereo playback
Bluetooth 4.1 input
L/R XLR main outputs
1 Balanced TRS monitor output
1 Balanced TRS effects output
L/R Control Room outputs with level control
Headphone output with level control
Signal Processing
Highpass filter on every channel
3-band semi-parametric EQ (Channels 1-6)
Stereo effects processor with 16 presets
Recording Options
8x4 24-bit/96 kHz, USB 2.0 audio recording interface
Record every channel plus the main mix
2x2 SD recorder
Record main mix
Supports SD and SDHD formats up to 32 GB
Integrated Software
Capture recording software
Studio One  3 Artist recording and production software (DAW)
Power
Internal power supply
Standard IEC power connector
Physical
Sturdy metal construction
Rackmount kit optional

Technical Details: 
Microphone Preamp
Type XLR Female, Class A
Maximum Input level (unity gain) Mono Channels: +18 dBu, ±1.0 dB, Stereo Channels: -5 dBu, ±1.0 dB
Gain Control Range Mono Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5 to +45 dB
Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5/- 1.5 dB
S/N Ratio to Outputs (+4 dBu) 89 dB
THD+N (min. gain, A-wtd) < 0.01%
Input Impedance 1 kΩ
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) Mono Channels: < 128 dBu, Stereo Channels: <120 dBu
Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB
Phantom Power +48V, ±3V, Global
Note: All Channel Inputs sum through Mic preamp
Instrument Inputs
Type ¼” TS Female, Unbalanced, Hi-Z
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +12 dBu ±1.0 dB
Gain Control Range 50 dB, ±1 dB (Unity to +50 dB)
Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (min. gain, A-wtd) > 105 dB
Dynamic Range (mid. Gain, unwtd) > 108 dB
THD+N (1 kHz, -1 dBFS, A-wtd) < 0.01%
THD+N (1 kHz, -1 dBFS, unwtd) < 0.01%
Input Impedance > 1 MΩ
Note: All Channel Inputs sum through Mic preamp
Line Inputs
Type ¼” TRS Female, Balanced
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) Mono Channels: +18 dBu, ±1.0 dB, Stereo Channels: +22 dBu, ±1.0 dB
Gain Control Range Mono Channels 50 dB, ±1 dB (-30 to +20 dB),​ Stereo Channel 50 dB, ±1 dB (-15 to +25 dB)
Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5/-1.5 dB
S/N Ratio to Analog Outputs (+4 dBu) 82 dB
THD+N (1 kHz, -1 dBFS, A-wtd) < 0.01%
Input Impedance (Balanced) 10 kΩ
Note: All Channel Inputs sum through Mic preamp
Main, Control Room, Monitor, and FX Outputs
Type (Main Outputs) XLR Male, Impedance Balanced
Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced
Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB
Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu
Frequency Response 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (A-wtd) > 108 dB
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) < 0.01%
Output Impedance 100 Ω
Headphone Output
Type ¼” TRS Female, Stereo, Unbalanced
Maximum Output Level 150 mW/channel @ 60 Ω
Frequency Response 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (A-wtd) > 103 dB
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) < 0.01%
System Crosstalk
Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -85 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) -80 dBu
Signal Level LED
Signal -30 dBFS (pre-EQ)
Clip -3.0 dB before clip (pre- or post-EQ)
Channel EQ
Low Cut 100 Hz, -18 dB/Octave
High Shelving ±15 dB @ 12 kHz
Mid Peaking ±15 dB @ 2.5 kHz
Mid-Band Q Boost: 0.55, Cut: 2.5
Low Shelving ±15 dB @ 80 Hz
Audio Interface
Host Interface USB 2.0
ADC Dynamic Range (Component) 114 dB
ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB
DAC Dynamic Range (Component) 114 dB
DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB
Signal-to-Noise (a-weighted) -96 dB
Bit Depth 24 bits
Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz
Jitter < 80 ps RMS (20 Hz – 20 kHz)
Jitter Attenuation > 60 dB (1 ns in => 1 ps out)
SD Recorder
Supported Media Format FAT16 formatted SD card, FAT32 formatted SDHC card
Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB
Recording File Format Stereo WAV
Playback File Formats Stereo WAV, MP3 (96-320 kbs, 32 / 44.1 / 48 kHz)
Sampling Rate (WAV) 44.1 kHz
Bit Depth Recording: 24-bit, Playback: 16- or 24-bit
Power/Environmental
Connector IEC
Input Voltage Range 90 to 240 VAC
Recommended Ambient Operating Temperature 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit

Package Contents: 
PreSonus StudioLive AR8 USB

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// OUR RETURN / EXCHANGE POLICY
30 days full refund . We will pays for shipping 2-way for any defective units . Unwanted? Just return it ot us for full refund . NO QUESTIONS ASKED!

Your order of 100$ or more gets free standard delivery.

  • Standard delivered 4-5 Business Days
  • Express delivered 2-4 Business Days

Orders are processed and delivered Monday-Friday (excluding public holidays)


eMarket members enjoy free returns.